Monday, 6 May 2013

Sculptural Knit Fabric: HyunJin Yun talented Korean knitwear designer I. part

Knitted design from Auckland/New Zealand: HyunJin Yun talented Korean knitwear designer student / AUT - I. part

She is an ingenious Korean knitwear designer student who is doing now her last year - MA degree - at Auckland University of Technology.

Photos from 2011 project
I met her last mounth at " Stretching the limits in knit research" Symposium, which was organized by the AUT - Auckland University of Technology. Next to other interesting and exciting design presentation, I found HjunJin's works really special and captivating.
She is not a simple knitwear designer because she is focusing more on e-knitting design in home design. Through her works she bring us in exciting visual spectacle world so we should keep track of her work in the future too.

 HyunJin Yun
Let’s cast our minds back to where it all began for you.
Tell some details what you think is important to know about yourself to the Blog readers.
Why became you a designer and special a knitwear designer? How it started?
I’ve been fascinated with fabrics since childhood; growing silkworms on mulberry trees, drawing on paper dolls, I even remember making a dress out of a spare sock for my friend’s doll.

When I grew up I worked in the Korean textile industry - which was very hard work, very long hours, and then moved to New Zealand in 2004. I decided to study textile design to get an in-depth knowledge of textiles. 


Tell us a little bit about your study: How is the life at AUT? - teachers, expectations, workshops, etc., which comes to your mind.

I often feel very lucky that I have a lot of people guiding my studying and this makes learning much more enjoyable and faster. Working with new materials and always trying to learn new methods, I often feel bewildered - where’s this all going? Having good supervisors, lecturers’ knowledge and helpful classmates really helps me find areas to specialise in and identify goals to work towards. 


The AUT facilities are very good for practice as well as gaining knowledge. We have specialty knitting machines, fabric digital printing, 3D lab and the Textile Design Lab. I can access these facilities and develop my own project ideas and all the lab technicians and department engineers are always helpful.

"Sculptural Knit Fabric Lit with Electroluminescent Wire"
"Sculptural Knit Fabric Lit with Electroluminescent Wire"
The shapes of these sculptures were inspired by New Zealand native fern trees. They are knitted on a Shima Seiki whole garment knitting machine in the Textile Design Lab at AUT. These three dimensional knitted fabric are 60 cm wide and 6 meters long."
"Sculptural Knit Fabric Lit with Electroluminescent Wire"


Last week(11th April) AUT hosted a machine knitting forum in the Auckland Art Gallery, and at the last moment I learnt I couldn’t hang my fabric sculptures from the ceiling. So in two days I had to find a “professional looking” solution. I ended up in the metalwork department of AUT where I had never been to before, getting a helpful engineer to bend copper pipes to make a lamp post! That available help and flexibility can turn a stressful challenge into a rewarding event.

To be continued...

Sunday, 5 May 2013

Showcase tour in Auckland - Autumn/Winter '13.1. / New Zealand

This time is ( From April to September 2013) in New Zealand the Autumn and Winter 2013 session in contrast with the other side of the world.... in Europe arrived the spring. I took a walk in the city Ackland and checked the shopwindows - What is going on in fashion field?
 Enjoy my showcase tour. 

Queen Street / Auckland NZ
AIMAI / High Street Auckland NZ

STORM 


FABRIC
FABRIC / High Street
FABRIC
FABRIC
FABRIC
Great Kiwi Yarns / Queen Street
ICEBREAK / Queen Street
CUE / Queen Street
CUE / Queen Street
Veronika Maine / High Street
Veronika Maine

High Street
Queen Street

Sunday, 28 April 2013

" Stretching the limits in knit research" 1 day Symposium - Auckland / New Zealand

Textile + Design Lab
" Stretching the limits in knit research" Symposium

I attended a one-day symposium, which was organized by the AUT - Auckland University of Technology. The event was held in Auckland Art Gallery In mid-April 2013. The theme was " Stretching the limits in knit research". Professors, designers and students presented different "knitted" projects.

Professor: Sandy Black, University of Arts London
Knitting: fashion, Industry, Craft
Restrictions on Creativity - WholeGarment technology
Knit design Consultant/PhD applicant: Amit Gupta
NIKE Flyknit Footwear
Ben Shaffer - Nike Innovation Kitchen USA
via Skyp

Reconciling systems, ergonomics, social and environmental issues, and theory and practise in discussions of comfort and clothing.
Dr. Suzette Worden
Reconciling systems, ergonomics, social and environmental issues, and theory and practise in discussions of comfort and clothing.
Dr. Suzette Worden
Illuminated textiles: Reshapeable knitted light sculptures
HyunJin Yun, B Design Hons /Fashion and Textile/

HyunJin Yun,
Illuminated textiles: reshapeable knitted light sculptures
She was inspired by the different shapes of jellyfishes.

Jyoti Kalyanji, M design ( Textil design)
Machine crafted: 3D machine knitted forms

Ricky Sciberras: demonstration of Shima Seiki Apex Design and Programming system

" Stretching the limits in knit research" Symposium
Visitors and Students at the Art Gallery
Auckland, NZ
AUT Postgraduate student presentations:
Sara Andrews, B design Honours (Fashion design)
Sara Andrews, B design Honours (Fashion design)
Reaction-Rejection_Creation: Exploring alternate forms of design process within menswear
Kate Ramsay, M Design ( product design)
Knitted Lights
Kate Ramsay, M Design ( product design)
Knitted Lights
Construction Knitting: Nikki Gabriel, Nikki Gabriel Design
Nikki Gabriel Design
Dr. Jenny Underwood,  RMIT University
Digital stitching: new approaches in knit Design
Digital stitching: new approaches in knit Design - Dr. Jenny Underwood,  RMIT University
Digital stitching: new approaches in knit Design - Dr Jenny Underwood,  RMIT university
Textil and Design Lab case studies - Dr Frances Joseph and Peter Heslop
AUT



Monday, 10 December 2012

JOKKAdesign - Fine knitwear Collection S/S 2013


JOKKAdesign - Beyond - fine knitwear collection


The collection layout and visual presentation reflects the features of Japanese culture. A knitted Kimono-inspired collection with western tailoring. As raw material designer, the fabric planning takes a lot of time but is my key starting point. Global trends in fashion, music, art and world political events are in a continuous influence for me - so when I create from the raw yarn, it's like a movie projector - my thoughts reflect onto the material and I ‘see’ the following collection style.


The collection name, "Beyond", and refers to my previous Pearl fine knitwear collection - the same pattern was used in a different way and in these two collection's there is a feeling of West meets East. In the PEARL collection, the aim of this fine knitwear was to radiate a sense of the Baroque period - a luxurious silky atmosphere unfolds before you. The BEYOND fine knitwear collection aims to capture a Japanese spiritual world of nature.


My aim with the BEYOND collection is to try and confirm that we have to turn back to natural values and use natural raw materials. The collection reflects this, as the raw material – the yarn - is 60% merino wool and 40% wool yarn.




Photographer: Matyas Misetics www.misetics.com
Model: Ayona Delger/Prime Model Management
Make-up artist: Dorottya Nagy http://szianagydori.wix.com/dorottyanagyhttp://dorottyanagy.tumblr.com/

Hair stylist: Anett Vörös - Microphone hair
Special thanks to: Bullet Shih - Editor at Ahomina.com All of Art
https://www.facebook.com/pages/Ahomina/134765339973381?notif_t=fbpage_fan_invite , Szandra Csek and MÜSZI